Label: Not On Label (Bruno Sanfilippo Self-released) - none • Format: CDr Album, Reissue • Country: US • Genre: Electronic • Style: Ambient

Sunday 17 May Monday 18 May Tuesday 19 May Wednesday 20 May Thursday 21 May Friday 22 May Saturday 23 May Sunday 24 May Monday 25 May Tuesday 26 May Wednesday 27 May Thursday 28 May Friday 29 May Saturday 30 May Sunday 31 May Monday 1 June Tuesday 2 June Thursday 4 June Friday 5 June Saturday 6 June Sunday 7 June Monday 8 June Tuesday 9 June Monday 15 June Tuesday 16 June Wednesday 17 June Friday 19 June Saturday 20 June Sunday 21 June Monday 22 June Tuesday 23 June Wednesday 24 June Thursday 25 June Friday 26 June Saturday 27 June Sunday 28 June Monday 29 June Tuesday 30 June Wednesday 1 July Thursday 2 July Friday 3 July Saturday 4 July Sunday 5 July Monday 6 July Tuesday 7 July Wednesday 8 July Thursday 9 July Friday 10 July Saturday 11 July Sunday 12 July Monday 13 July Tuesday 14 July Wednesday 15 July Thursday 16 July Friday 17 July Saturday 18 July Sunday 19 July Monday 20 July Tuesday 21 July Wednesday 22 July Thursday 23 July Friday 24 July Saturday 25 July Sunday 26 July Monday 27 July Tuesday 28 July Wednesday 29 July Cabo De Gata - Max Corbacho & Bruno Sanfilippo - Indalo (CDr Thursday 30 July Wonderheart 6.

Indalo 2. Lava Atmospheres 4. Cabo De Gata 5. Petrified Wisdom 7. Signs Of Former Experiences 8. Max Corbacho - Future Terrain Extended FLAC Originlly a digital only release inrunningFuture Terrain has been released on CD inin an expanded form, with a running time now over 73 minutes of sublime ambient sounds. Future Terrain Future Terrain combines ultra low, extended bass tones and organ-like massive sound waves flowing in a continuous, dark, pitch black loop. Created during the last weeks in MarchFuture Terrain is presented as a 58 minutes long form track, released as a digital album.

One is Future Terrain, which I imagine as a remote sci-fi futuristic landscape. This music accompanied me for several weeks as a dark background filling the space in slow motion.

But I suggest also hear it at a high level, feel it in your bones! Original music is mixed with complex, Album), multilayered audio signals, which act together to create a resonance that is reflected in unique brainwave forms characteristic of Album) states of consciousness.

Drift into dimensions of space and time with the atmospheric soundscapes of Max Corbacho. Enter into this powerful listening experience with an intention, and let go as you are carried into other realms of perception.

Instruments: Cabo De Gata - Max Corbacho & Bruno Sanfilippo - Indalo (CDr and analog modeling synthesizers, samplers and computer sound processing. Crickets and night sounds captured live in the county of Lleida, Spain. Great Thank you!!!!!!!!

But as you said, each listener makes his own visual trip. Of course, every artist is interested in the effect of their work, that his art provokes a certain emotional effect. Visualia contains interwoven pieces of a continual but almost imperceptible transformation.

They appear, in different planes, countless sounds of organic texture that may create reminiscences of the earth and its inhabitants. As regards my evolution, you can analyse it basically through two aspects.

First, my personal, psychic growing as an individual evolution, and continual discovery of the surrounding world trips, personal experiences, etc. I think this conditions me extraordinarily, and the growth and enrichment is translated into the music.

Secondly, as son of the time I had to live in, technology pushes me to experiment and search for new roads and new frontiers to explore every day. I often have the feeling — I talk about this in Nocturnal Emanations script — that my music shifts as a live organism and, at this point, this evolution points to a greater abstraction, as if the elements of which it was made of at the beginningas in Vestiges, were dissolving little by little, mixing and flowing really slowly, creating new structures and textures in an eternal mutation.

Now I stay half way. I have the constant need of escaping from the city and feel that surface. Perhaps this is an echo from my early years which took place in a lonely farmhouse in Badajoz province.

In Vestiges, as a declaration of principles, the first piece, Desolada, already presents those powerful ethnical percussion. Recently, I was able Cabo De Gata - Max Corbacho & Bruno Sanfilippo - Indalo (CDr hear it live on a trip to Morocco. I was so impressed by it that I now have a fusion project with some of its elements. Due to the evolving process of evolution I was talking about earlier, that is the dissolution of the basic element that make up my music, also the percussion are more abstract every time.

For example, the ones in Nocturnal Emanations are basically tribal grooves that have been conveniently treated so as to acquire a synthetic quality but keeping the root and ethnical character. I believe that the purity of its fragrance contributes with a strong emotional content. I also use the timbric of the synthesiser trying to create an ocean of latent images. Your questions have been interesting and pleasant to answer. I hope we can enjoy, for a long time, your prestigious magazine and its CDs.

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