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Google Adsense. Earn points, get exclusive coupons and save. Member-only deals Earn more points Personalized savings get more benefits. The advance and return buttons permit skipping ahead or going back by up to eight selections on a side as determined by blank intervalsmemo, set, memo, go, and start go are used for the usual memory-rewind functions. All of the buttons, which have no illuminators, are mounted nearly flush with the panel-so close, Bean Buggin - DJ BK - Tape #52 (Cassette), indeed, that we experienced difficulty in consistently activating them.
To the left of the cassette well are separate record-level slide controls for each channel and two three-position switches. One switch is used for noise-reduction selection, and the other selects line, microphone, or aux inputs. No provision is made for playback-level control or headphone listening.
Astonishingly, we found that there is no monitor circuitry: except during tape playback no signal is returned to the preamplifier or receiver. The monitor switch on your amplifier must be set for source instead of tape in order to listen to the music while recording.
Recording levels are shown by two eight-segment LED indicators on the front panel. In addition to reading peak rather than average signal levels, these indicators are equalized, meaning that they reflect the treble and bass boost that is applied to all signals before they reach the record head.
This is certainly the most accurate way to prevent treble saturation of a tape. There are no decibel markings on the LED indicators, though the lights Bean Buggin - DJ BK - Tape #52 (Cassette) from green to red at a point that the manual identifies as "0 dB," which we found is set at the Dolby calibration level of nanowebers per meter at Hz. All connections to and from the Beocord must be made with adaptors that mate with the unit's DIN-type sockets.
One phono-plug adaptor is supplied; it consists of a DIN connector at one end of four 6-inch cables terminating in Bean Buggin - DJ BK - Tape #52 (Cassette) phono plugs whose identity must be learned by trial and error. Even the microphone jack, which can accept two microphones with the right adaptorsuses a DIN connector. No connections are made to the rear panel of the deck since the DIN connector for its normal inputs and outputs is at the end of a permanently attached 1-meter cable.
When we first looked at the rear of the Beocordwe were concerned to see exposed power-supply circuit boards within easy finger reach through the Bean Buggin - DJ BK - Tape #52 (Cassette) holes.
The deck is approved by Underwriters Laboratories, however, so it meets their rules regarding shock hazards. It still doesn't seem like a good idea to have live circuit boards so easily accessible.
Similar high-quality tapes would have yielded almost identical results. Except for an inaudible "head Bean Buggin - DJ BK - Tape #52 (Cassette) of 2. At 18, Hz the response was down 2. Normally, metal tapes show markedly better resistance to high-frequency saturation overload than chrome or ferric types do.
In this case, however, thanks to the built-in HX Professional head-room-extension system, the performance of all three types was essentially the same, since the system "helps" the lower- coercivity tape types proportionally more than it does the high-coercivity metal variety.
The input level to the Cr? We confirmed these claims, measuring Wow-and-flutter from the Beocord measured 0. Fast-forward and rewind times, however, were slow: seconds for a C and seconds for a C cassette. Tape speed was only 0.
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